Hamlet: Growing Pains :: Shakespeare Hamlet Essays

hamlet Growing Pains In the epic calamity hamlet, by William Shakespeare, Prince Hamlet is pin downped in a realness of evil that is not of his own creation. He must opposethis evil, which permeates his seemingly star-struck life from many angles. His dealing with his fathers eerie death cause Hamlet to put up up fast. His family,his sweetheart, and his school friends all appear to turn against him and toally themselves with the evil predicament in which Hamlet finds himself. Hamletmakes multiple attempts to avenge his fathers attain, but each(prenominal) fails becausehis fathers murder, but each fails because his plans are marred by very clementshortcomings. It is these shortcomings that Hamlet is a figure of ordinaryhumanity and give him the room he needs to grow. The Hamlet that Shakespeare begins to develop in Act I is a typicalmortal, bowed raze by his human infirmities and by a gross out of the evils in aworld which has led him to the brink of suicide. Hamlet voices his thoughts onthe issue O that this as well too solid flesh would melt... (I. ii. 135). Heis prevented from this drastic step only by a faith which teaches him that Godhas fixd/ His canon gainst self-slaughter (I. ii. 131-2). To Hamlet appearshis dead fathers spirit, and he must continue to live in the unweeded garden,/ That grows to seed in order to fulfill the obligation he has to his father(I.ii. 135-6). Making Hamlet more a tarradiddle of personal growth than a dark murder mystery,Shakespeare emphasizes the emotional, rather than the physical, obstacles thatPrince must face in accomplishing his goal. Immediately, Hamlet must determinewhether the ghost speaks the truth, and to do so he must cope with theologicalissues. He must settle the moral issue of private revenge. He must learn tolive in a world in which corruption could be as near as the person who gavebirth to him. He also must control the human passions within him which arealways threatening his plans. thither are no mo re sobering issues than thesewhich would catalyze growth in any human. Hamlets widely acknowledge hamartia, or tragic flaw, is his inability tomake decisions on subjects with consequences of any weight. That he is aware ofhis stagnation in such situations does prove to be helpful in defeating thisflaw. After passing up three oppotuities to entrap Claudius in the third act(the nunnery scene on which the king was eavesdropping, during The Murder ofGonzago, the scene in Gertrudes closet), Hamlet berates himself because of hisHamlet Growing Pains Shakespeare Hamlet Essays Hamlet Growing Pains In the epic tragedy Hamlet, by William Shakespeare, Prince Hamlet isentrapped in a world of evil that is not of his own creation. He must opposethis evil, which permeates his seemingly star-struck life from many angles. Hisdealings with his fathers eerie death cause Hamlet to grow up fast. His family,his sweetheart, and his school friends all appear to turn against him and toally themselves wit h the evil predicament in which Hamlet finds himself. Hamletmakes multiple attempts to avenge his fathers murder, but each fails becausehis fathers murder, but each fails because his plans are marred by very humanshortcomings. It is these shortcomings that Hamlet is a symbol of ordinaryhumanity and give him the room he needs to grow. The Hamlet that Shakespeare begins to develop in Act I is a typicalmortal, bowed down by his human infirmities and by a disgust of the evils in aworld which has led him to the brink of suicide. Hamlet voices his thoughts onthe issue O that this too too solid flesh would melt... (I. ii. 135). Heis prevented from this drastic step only by a faith which teaches him that Godhas fixd/ His canon gainst self-slaughter (I. ii. 131-2). To Hamlet appearshis dead fathers spirit, and he must continue to live in the unweeded garden,/ That grows to seed in order to fulfill the obligation he has to his father(I.ii. 135-6). Making Hamlet more a story of personal growth than a dark murder mystery,Shakespeare emphasizes the emotional, rather than the physical, obstacles thatPrince must face in accomplishing his goal. Immediately, Hamlet must determinewhether the ghost speaks the truth, and to do so he must cope with theologicalissues. He must settle the moral issue of private revenge. He must learn tolive in a world in which corruption could be as near as the person who gavebirth to him. He also must control the human passions within him which arealways threatening his plans. There are no more sobering issues than thesewhich would catalyze growth in any human. Hamlets widely recognized hamartia, or tragic flaw, is his inability tomake decisions on subjects with consequences of any weight. That he is aware ofhis stagnation in such situations does prove to be helpful in defeating thisflaw. After passing up three oppotuities to entrap Claudius in the third act(the nunnery scene on which the king was eavesdropping, during The Murder ofGonzago, the scen e in Gertrudes closet), Hamlet berates himself because of his